John Paul Ito

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Downloadable Finale Files for Use in Finding Phrase Extensions

Examples not otherwise attributed were collected by Gene Biringer.

From the Lecture Notes

  • Example 8: Mozart String Quartet K. 499, iii
  • From the Burkhart Anthology

  • Mozart, Piano Sonata in B-flat, K. 333, i, mm. 1-10
  • Beethoven, Piano Sonata in F minor, Op. 2, No. 1, iii, mm. 1-14
  • Beethoven, Piano Sonata in C minor, Op. 13, iii, mm. 1-17
  • Mendelssohn, Song without Words Op. 19, No. 1, mm. 1-15
  • Chopin, Prelude in B minor, Op. 28, No. 6
  • Preliminary "extension"

  • Haydn, Symphony no. 101 in D major, I, mm. 23-33
  • Extension in course

  • Chorale of St. Anthony, mm. 1-10
  • Haydn, Symphony no. 101, II, mm. 2-10 (the 1-bar intro lies outside the period)
  • Mozart, Quintet for horn and strings, K. 408, II, mm. 1-18
  • Pre-cadential extension

  • Mozart, Piano Sonata in A major, K. 331, I, mm. 13-18
  • Mozart, Cavatina: "Se vuol ballare" (Le nozze di Figaro, Act I)
  • Mozart, Duet: "Là ci darem la mano" (Don Giovanni, Act I)
  • Post-cadential extension

  • Mozart, Piano Sonata in C major, K. 330, III, mm. 1-20
  • Phrase elision and overlap (easy)

  • Haydn, Piano Sonata in C major, Hob. XVI/35, II, mm. 1-5
  • Haydn, Symphony no. 104 in D major, I, mm. 1-16
  • Chorale of St. Anthony, mm. 11-29
  • Chopin, Nocturne in C-sharp minor, op. 27, no. 1, mm. 3-7 (follows 2-bar intro; excerpt also features pre-cadential ext.)
  • Chopin, Valse in B minor, op. 69, no. 2, mm. 1-9 (also features an extension in course)
  • Extension in course (more difficult)

  • Mozart, Aria: "Dies Bildnis ist bezaubernd schön"(Die Zauberflöte, Act I)
  • Mozart, Symphony no. 40 in G minor, K. 550, III, mm. 1-14 (NB: three-bar phrases in antecedent)
  • Schubert, Symphony no. 9 in C major, op. posth., I, mm. 1-16
  • Mendelssohn, Song without Words in E-flat major, op. 30, no. 1 (follows a one-bar intro)
  • Pre-cadential extension (more difficult)

  • Chopin, Nocturne in B-flat minor, op. 9, no. 1, mm. 1-18
  • Mozart, Clarinet Quintet in A major, K. 581, II, mm. 1-20 (NB: extension in-course in the 5-bar phrase in mm. 5-9)
  • Mendelssohn, Song without Words in E-flat major, op. 53, no. 2 (follows 1-bar intro; also has extension in-course)
  • More complex examples: extension and elision

  • Mozart, String Quintet in G minor, K. 516, II (Minuet), mm. 1-13 (elision gives rise to phrase extension)
  • Mozart, Symphony no. 41 in C major, K. 551, II, mm. 1-11
  • Mozart, Piano Concerto in D minor, K. 466, III, mm. 1-13